At Morville - Part Two - The Church

After we left the Dower House garden we walked back towards the church where we had parked the car - we went to see if the church was open and were pleased to find that it was.

The drive from the main road which leads to the Hall and Church at Morville

St Gregory's Church was built in 1118 by the monks of Shrewsbury Abbey - it became a Priory dependant on the Abbey and it is thought it stood where the Hall is now

The chancel arch, although restored in the 19th century, is predominantly Norman

Whilst the font is thought to be of Saxon origin

From here on the photos aren't so great so I apologise but thought I would show them as you can still get some idea of what else was in the church from them.

The carvings over the vestry door

There are four carvings above the pillars in the nave which represent the evangelists - the one above is St Luke with an Ox.

On the wall of the tower is a wall paiting of bellringing fines - I've typed it out for you to read

When to ring you doe come here
you must ring well with hand and ear
for if this law you break indeed
your forfeit must be paid with speed
he that a bell doth overthrow
must pay his groat before he goe
he that suddenly checks a bell
two pence must pay all men can tell
amd he tht rings with spir or hatt
two pence is there to pay for that
these laws are olde they are not new
therefore kind debtor pay they due

It was time to head towards home which we did via Much Wenlock and Ironbridge. To be continued.....

At Morville - Part One

"I came here to make a garden. In the red earth I find fragments of blue-and-white willow-pattern china, white marble floor- tiles, rusted iron nails. A litter of broken clay pipes in the flower-beds, their air holes stopped with soil. Opaque slivers of medieval glass, blue as snowmelt. Flat wedges of earthenware dishes with notched rims and looping patterns of cream and brown. Who drank from that cup, who smoked that pipe, who looked through that window? Did they stand as I stand now, watching the clouds on the hillside?"


It was this sentence from Katherine Swift's book 'The Morville Hours' that made me want to read it; once I'd read it I wanted, of course, to visit the garden. It isn't that far away from where we live, it wasn't out of reach - a visit would be possible, easy in fact, and so it turned out to be.

A sharp turn from the main road and an avenue of trees brings you to the grounds of the hall and the church with the wonderful rolling, wooded hills behind. It was hard to take a photo that captured the atmosphere of the vastness of the skies and the beauty of the hills. The one below shows a little of it behind one of the two lodges either side of the main hall.

You are guided to park in the churchyard and I'll return to this lovely church later

We walked towards the hall, but of course, the place we were headed to was The Dower House, the small building behind the wall immediately right of the main hall in the photo below.

The Dower House at Morville - just as I'd imagined it. The entrance hall, where tickets were available, as well as other goodies, was lined with books from floor to ceiling. We bought our tickets from a gentleman who informed us that scones and tea would be available from 3p.m. onwards in the little courtyard at the side of the house and that the author of the book, Katherine Swift, was at present in the kitchen baking them; he also asked where we had heard about the garden and told us about the BBC's book at bedtime recording the transmissions in the garden. We felt very welcome.

The garden at The Dower House was designed to tell the history of the Hall and the people who have lived on the site over the years.

Here are a selection of photos of the garden...

The Cloister Garden which reflects the fact that Benedictine monks came from Shrewsbury Abbey in the 12th century and built the church here.

The Tudor Knot Garden

The Canal Garden

The Victorian Rose Border

We sat for a while on these chairs at the end of the Pear Tunnel just listening to the birds singing, the bees humming and the happy voices of visitors discovering new things at each corner they turned. Nearby a water colour artist was painting the Alium flowers in the Fruit and Vegetable Garden.

The Turf Maze is the symbol of the past meeting the present and the central hub of all the other gardens

In the Ivy garden visitors were gathering for the promised scones at 3p.m.

First in line was this elderly chap in his favourite place outside the kitchen door - the last, we were told, of the three cats often mentioned in the book.